The lake at Metsovo, 1995

The Lake at Metsovo is typical examples of the process of apprehension of non-representational art by the artist. Liberation from the visual impression made specific and an orientation towards the substantive nature of the subject have never ceased to include a visible point of reference, a reminder of an existent image. Closer to reality, the picture of the lake at Metsovo is delineated between the mountains and the meadows, without, however, constituting a picturesque representation of the landscape; instead, by brush-strokes of a different texture, it composes a free rendering of a familiar image.