Little House, c. 1930-1935

In Little House, in spite of the fact that human figures are not shown, the covers at the window and the domestic animals in the yard bear witness to life in the little farmhouse. It should, however, be pointed out that this line of Thomopoulos's thinking exhausted itself in purely anecdotal features in a bucolic environment, in which the belated neo-impressionism and the mass production of his later years led his painting into standardisation.