Pantazis, for Metsovo, 1996
Droungas studied engraving and stage set design at the Athens School of Fine Arts and continued his studies at the Slade School in London in the period 1970 - 1973, while in 1975 and 1976, with scholarships of a few months duration from the Ford Foundation, he followed courses on lithography techniques at universities and studios in the USA. Droungas started out as an engraver, and then gradually turned to painting; by 1974 he had devoted himself to it exclusively. By a yoking together of thematic features from the past and of innovative objects from everyday life, Droungas leads the viewer by a process of suggestion, by symbols and archetypes, to earlier forms of art or personal experiences. The isolation of a well-preserved moment, the detailed photographic description of the objects, the suggestive lighting, the exceptional clarity of the image, and, particularly, the undisturbed immobility lead to a trompe l'oeuil which frequently starts out from the painted representation of the frame, which does not play a restrictive role but a primary one, in extending to the very subject of the picture.