Shores in the Aegean, 1923
Dimitris Gioldasis was among those artists of the first 20 years of the twentieth century who sought to break free of the formalism imposed by the academic painting of the School of Fine Arts and to look for new modes of expression through the aesthetic principles laid down by the post-Impressionist movements in Paris, which had already become known in Greece. Thus his works, particularly those dating from the 1920s, notably bear the mark of the influence of Parisian Modernism, though adapted to circumstances in Greece, as his landscapes are true testimonies to natural features of the country. Yoldasis replaced bright colours with monochrome surfaces, since the blinding light of Greece restricts the colour range, while his intensity and lucidity make the line which defines the masses the medium of expression par excellence.