From the series 'Pain-less Progressions', 2000

For the 'Mapping out today, tomorrow, yesterday' exhibition held at the Averoff Museum of Modern art, at Metsovo in 2002, Maroudi created a sculpture which at the level of form does not reveal its female nature, but at the level of the conveying of concepts undoubtedly is to be identified with the quality of being a mother and her concerns.